JESSICA PRATT

w/ TONY MOLINA

From the opening seconds of “Life Is,” it’s clear that Here in the Pitch is a very different kind of album from Jessica Pratt. The revered Los Angeles artist has become one of the most singular and distinctive songwriters of her generation, largely through the bewitching sound of her acoustic guitar and vocals: a mystical, elusive blend that conjures deep emotional responses from her devoted (and patient) audience. To introduce her first release in half-a-decade, however, we are greeted by neither her breathtaking vocals nor the delicate, sophisticated strum of her guitar. Instead, Pratt’s fourth album begins with a percussion roll that nods instantly to the grand, orchestral style of ’60s pop hits like the Walker Brothers’ “The Sun Ain’t Gonna Shine Anymore.”

Northern California native Tony Molina has a restless, multi-faceted musical personality. He got his start playing in hardcore bands, but over time developed two distinct styles that are very far removed from that sound. Initially under the name Ovens, then as a solo artist, he crafts bite-sized chunks of melodic pop that can be broken into two sub-headings: quiet acoustic guitar-led ballads and noisy electric songs that sound like Teenage Fanclub with J Mascis and the Fastbacks' Kurt Bloch spearheading a dual guitar attack.